This
seems to be a coming-of-age story. The narrator is an affected, artificial
young man who goes on a trip with his friend, but his attempts to be “manly” go
horribly wrong.
I loved
the banter between Connor and the narrator, though I think more of it might
improve the story. The narrator’s dialogue is artificial, but it works—he sounds
like he’s trying to talk like someone else. I like the comedic aspect, too. And
even though the story seems to be an argument against artificiality and
conformity, you do a good job of avoiding the mawkish after school special
feel. Your message is not at all forced. The relationship between Connor and
the narrator works well, as well.
I felt
like the summary and explanation drowned out everything else. The dialogue was
pretty sharp, but there wasn’t enough of it. I get the sense that the narrator
is a little insecure, a little needy, but I would much rather see that in his
actions and words than in soliloquies. Integrating the narrator’s personality
with the plot might improve the story, as well. The narrator’s insecurity doesn’t
do much to drive the plot.
I think it would help to add some complexity
to the characters. It’s clear that the narrator basically wants to be The Most
Interesting Man in the World, but why?
The story started to
early and ended to soon. I was disappointed when I turned the page and found
out that “And that is how I burned down a Wisconsin ice fishing cabin” was the
last line. The story was starting to engage me. For the first time, there were
serious consequences. Were the prosecuted? Stranded? Did they go on the lam?
While the buddy relationship between Connor and the
narrator works well, I think playing it up would improve the story. Most of the
plot revolves around them being together, but I never got a particularly clear
idea of what they thought of each other.
It was clear they liked each other, but it seemed that they were rivals
to a certain extent, as well. Clarifying and expanding their relationship might
be a good idea.
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